One of the most moving hymns of Greek Orthodox Holy Friday is “I Zoi en Tafo”. The Greek Vibe examines the most compelling deliveries.

For the Greek Orthodox faithful, Holy Friday is a day of loss and sorrow. A death knell echoes throughout Greece, from its remote villages to its buzzing cities. Flags are at half mast, and in the days of old, black cloths were hung from windows and balconies. On this day no activities are allowed. And in many remote villages, the only food allowed is vinegar, bread and olives.

Holy Friday is the culmination of Christ’s Passion. For churches and chapels across the land it is the most eventful time of the year. In the morning, young children pick spring flowers – white for purity, red for life and purple for death – to decorate the bier which is covered in an elaborately carved wooden canopy (the “kouvouklion”) on which an embroidered fabric (the “epitaphios”) is placed. 

According to Greek Orthodox beliefs, this embellished cloth represents the body of Christ and is placed on the bier after it is ceremoniously taken down from the cross. Sprinkled with rosewater and adorned with flower petals, the bier stands before the faithful, who have gathered for the “Egomia” (also known as the “epitaphios thrinos” or lamentations, composed of three hymns  – “I Zoi en Tafo”, “Axion, Esti” and “E Genee Pase”) before the epitaphios is taken out of the church to be paraded through town.

♪ One of the most beautiful is the first, titled “I Zoi en Tafo” (meaning life in the grave). Of all the deliveries, the most compelling, is this one https://www.youtube.com/watch?t=72&v=2yW39rHxW2c with legendary Cretan troubadour, the late Nikos Xylouris, and singer Manolis Mitsias for Greece’s public broadcaster ERT in 1977.

Once the epitaphios procession begins, it is followed by the congregation holding dark candles and in many cases by the parish choir chanting the “Trisagion”, the town’s marching band performing a funeral march or even military units as the bells toll mournfully. 

Handpainted icon of Christ at Agia Fotini in Arcadia.

♪ This version is unique, in that it is delivered by a female, something very rare in the Orthodox religious experience, and not by a Greek. The great Lebanese singer Fairuz, the most respected artist of the Arab world, performs “I Zoi en Tafo” in this 1962 recording. https://www.youtube.com/watch?v=xiE-biR9USU#t=117 The result is galvanizing.

In larger towns, where there are many parishes, each epitaphios is carried throughout the neighbourhood only to merge with the others in the town’s central square.

♪ Here to the narration of actress Katerina Lechou and young performer Sofia Manou: https://www.youtube.com/watch?v=0WqEUlqmAXE

On many islands the processions come together on the port with the epitaphios often being carried into the sea. 

♪ Here a traditional delivery by one of the country’s most acclaimed Byzantine music teachers, musicologist Simon Karas. https://www.youtube.com/watch?v=x0G10997SAc 

♪ And finally Greek band Trifono’s 2012 promising rendering 

Once the procession is over, the epitaphios is returned to the church. As Holy Saturday dawns, there is a soothing silence. Everyone is preparing for the Resurrection (Anastasi) service at midnight. The week of passions has passed, families unite, the devout hold white candles and when the lights go out, He Has Arisen, (Christos Anesti) – joy fills our hearts and even stronger an inner sense of hope… for we too, despite our trials, will spring to life.


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